43. I Have a Name. It's Dorothy.

43. "It Might Be You" by Stephen Bishop

In the early 80s, someone somewhere came up with the idea to write a romantic comedy with the lead and supporting male actors being Dustin Hoffman, Bill Murray, Charles Durning, and Dabney Coleman. And as the female lead actors, they rounded up Terry Garr, Geena Davis, Jessica Lange, and...Dustin Hoffman?!

If I had been in that 80's writer's room, I would have yelled at the top of my lungs, "Where's the beefcake?!" And the only halfway believable answer would have been "Dabney Coleman's mustache, of course."

Fortunately, that insane casting decision to not have a single hunky man in the movie ended up giving us a fantastic movie. It is, without a doubt, in the top ten best comedies of all time. Right up there with "Groundhog Day," another comedy gem starring Bill Murray. So there was lots going on in the movie to make it a top-notch comedy--including the fact that Dustin Hoffman turned out to be more attractive in drag than in real man clothes, at least to Charles Durning. (Suddenly I'm wondering what a Charles Durning-Dustin Hoffman child would look like. It isn't pretty.) But what about the movie made it a ROMANTIC comedy? Two things--Jessica Lange's incredible looks and the theme song for the movie, "It Might Be You."

Yes, I readily admit that Jessica Lange did not age gracefully. That's probably one reason they cast her on American Horror Story, for which she won a truckload of awards.

This is what you end up looking like when you get hit by a truckload of awards.

But back in the 80s, the Jessica Lange's role in "Tootsie"--for which she won an Oscar for Best Supporting Actress--was the incredibly beautiful and vulnerable-turned-powerful nurse Julie Nichols, the "hospital slut" (her words in the movie, not mine).

Jessica is the one on the left.

Every single time I saw the movie, which was a LOT (Downey theater made a lot of money off me from buying peanut M&Ms and cherry nibs--the best movie candy combo ever), I fell deeper and deeper in love with Jessica Lange. Now, I don't know the full psychological impact of my movie-star crush on Jessica, but I did end up marrying a sexy nurse named Julie.

The other thing that gave the movie a romantic feel was the theme song. I couldn't find any videos that combined the theme song with clips of the movie that didn't have a strange Russian logo on them, so prepare to see a hammer and sickle along with all the other stuff. It may be part of the Russian interference in the upcoming election, but I don't think it's going to sway any voters. The old Tootsie voting demographic just ain't what it used to be.



This is the kind of 80s love song that is tailor made for those times when you realize that the person you're feeling an attraction toward just MIGHT be the one for you for all of your life (like Jessica Lange). But by the definition of "might," it can also be that moment just before you realize that person might NOT be the one for you (like Dustin Hoffman). When I listen to it, it reminds me of those moments just before you go for it and try to make the relationship happen--that moment of elation when you know you're falling in love and nothing bad has happened yet, like having that person reveal on live TV that they're not the gender you thought they were. Or worse, that the person hogged all the peanut M&Ms and cherry nibs at the movie.

44. Feels So Good

44. "Shine a Little Love" by Electric Light Orchestra

And how does it feel when you think that certain special someone has finally decided to come and get your love?

Like this.


What's to like about this song? Plenty!

To begin with, there's an exquisite disco gallop. If you can find a better disco gallop on any record, tape, CD, 8-track, or iTunes download, buy it.

There's a poppin' Kelly Groucutt baseline.

There's strings soaring up and down and round and round.

There's a repeated echoliscious downward scale run on the keyboard.

There's some excellently balanced rhythm guitar bits and drumming that make a pretty peppy wall of sound to hold up the singing.

There's lots of sing-along chorus-line words and phrases like "Remember!" and "You shine a little love on my life!" and "Yes, I understand" and "I know it is" and "I'll do it all again" and "Shine on me" and "Shi-i-ine"  and "E.L.O." peppered throughout.

There's fun no-brain sing-along sounds like "Ooooooo!" and "Oo--oo--oo-ah-oo-ah-oo-ah-oo-ah-Ooooooo!" and "OowahOowahOowahOowahOowahOowah-Ooooooo!"

There's lyrics that put you in a helluva good mood and make you so happy about your love life that you can't believe there aren't more songs like this.

And don't forget the well-timed double handclaps.

Put all that together and you have a monster of a feel-good song that epitomizes that emotion you have when you are so sure the one you love loves you back that you think your skull might explode from the happy brain juices constantly flowing through it.

Oooooooo!

45. Come Get Some!

45. "Come and Get Your Love" by Redbone

To be honest, I had forgotten this song until I heard it playing in the opening scene of "Guardians of the Galaxy." And when it started to play, I could not help but be completely delighted by how it took me back to the 70s to hear it again. While there are many good 70s songs in the Guardians movies, I credit this one for setting the musical feel for the movies.



The song also has a similar sentiment to that found in Cheap Trick's "If You Want My Love." Only this time, it's got an electric sitar twang for added oomph!

Hey (hey), what's the matter with you, feel right, don't you feel right baby
Hey (hey), oh yeah, get it from the main vine, all right
I said a find it, find it, go on and love it if you like it, yeah
Hey (hey) it's your business, if you want some, take some, get it together baby

Come and get your love!

46. You Want Some?

46. "If You Want My Love" by Cheap Trick

This song came out the summer of 1982--the same time I began to finally put some height and muscles on my body. Well, at least enough to think it was safe for me to play football the next year. I spent most of my days that summer as a lifeguard, where each hour of my work was spent watching dozens of beautiful girls, along with hundreds of not-so-beautiful ones. Yes, I had to look at boys too, but I figured I got paid to do that. The enjoyment I got from looking at the girls was just the icing on the paycheck.

But here's the crappy part of the gig. Lifeguards are supposed to watch people, not talk to them--unless you were blowing the whistle and telling them to obey some pool rule and/or kicking them out of the pool for either (a) an approaching lightning storm or (b) lewd behavior. That meant I did not get to talk to any of these beautiful girls. And it turns out that if you want to have a relationship with a girl, you kind of have to talk to her. So my job wasn't like being a kid in a candy store. It was like being a starving kid in a candy store that isn't allowed to have any candy and isn't even supposed to look too long at any one piece of candy and is absolutely forbidden to talk to the candy.

That job turned out to be a perfect metaphor for my teenage love life during my junior and senior years of high school. And the song "If You Want My Love" is the perfect expression of that feeling I would get when I realized I was attracted to a girl (or even hopelessly infatuated with her) but couldn't force myself to talk to her to get the relationship started.

If I'd only had something interesting to get the girl to get the conversation started, my life would have been different. Yes, if I'd only had something that would get their attention--something like a brightly colored sweater with pineapples, pyramids, and camels on it.



This song also kind of sums up my thoughts about all those guys that had girlfriends but weren't loyal to them and would cast them aside for really no good reason at all. What was wrong with you jerks! If you find a girl that is willing to put up with your crap, hold on to her like grim death! See, if I had somehow lucked out to have a girlfriend, here's what I would have said to her.

You hold the secrets of love in this world.
I'm hypnotized by your ev'ry word.
A special face, a special voice,
A special smile in my life.

'Cause lonely is only a place.
You don't know what it's like...
You can't fight it.
It's a hole in my heart, in my heart.

If you want my love you got it.
When you need my love you got it.
I won't hide it.
I won't throw your love away, ooh.

47. Hair Metal

47. "Lunatic Fringe" by Red Rider

I really liked the stereoecholiscious sound of this song back when I heard it on FM radio in 1981. It never went anywhere on the charts, but it did manage to make it's way onto Season 1 Episode 15 ("Smuggler's Blues) of Miami Vice. If you didn't like Miami Vice, you may be tempted to not watch the whole video below, but you should watch it right up to the opening credits at least. There's a nifty triple-boom boat explosion you don't want to miss.



At the time the song came out, I never really could make out enough of the lyrics to understand it's anti-anti-semitism message. But thanks to the interwebs, the written lyrics unmistakably prove that these Canadian rockers don't like Nazis. But do you know what they do like? Not dancing. Their moves in this video are pretty much the exact same ones I used at every school dance.


By the way, this is the kind of song that sounds really good turned up loud while driving at night with the windows open. Try it. You'll like it.

Fun song-related story: Every three weeks or so I get my hair cut at a salon called "Lunatic Fringe" by Reina Summers--a young woman who gives the absolute insanely best shampoos ever known to humankind. I could go on and on about how incredible the shampoos are, but I won't, because anything I say will fall far, far short of what it feels like to have a fifteen-minute shampoo in which wave after wave of goosebumps shoot down your neck and spine all the way to your toes. Suffice it to say, whatever you think is the most awesome thing you could possibly experience in life--well, times that by ten, and you still won't be in even the same ballpark as one of Reina's shampoos. Anyway, one Wednesday afternoon I left work with barely enough time to make my regular 5:00 appointment. As I started up the 4Runner, "Lunatic Fringe" began playing on the radio. I cranked up the volume and tore out of the parking lot with an enormous grin on my face. Oh, the delight of listening to that song as I drove slightly above the speed limit to get to Lunatic Fringe on time for my super-shampoo!

Reina Summers -- Shampoo Goddess

Now every time I hear the opening of "Lunatic Fringe" on the radio, I imagine I'm in the middle of one of Reina's shampoos, and thanks to Pavlovian classical conditioning, the goosebump waves start up.

I know. It's just a fantasy. It's not the real thing. But sometimes a fantasy is all you need.

48. Hot Pocket

48. "Jessie's Girl" by Rick Springfield

I don't remember exactly if it was me or my sister Ruth that bought "Working Class Dog," but I definitely listened to it the most, so it was probably me. And it was probably because of "Jessie's Girl."

See, I had a number of crushes on a number of girls, but they all had boyfriends--none of which were my friends, so it was really easy to hate them. And "Jessie's Girl," more than any other song of the 1981-82 school year, best expressed the frustration and disappointment and jealousy and anger and sadness and desperation and loneliness and awkwardness and longing and placing of the hands in coat pockets and dancing with the left hand in a pants pocket and face washing and self-examination in the mirror and playing the guitar in the bathroom while looking in the mirror and repeated smashing of said mirror with a guitar that inevitably arises from such situations. I mean, what teenage boy in the early 80s didn't go through all that?



The album was actually pretty good with several other chart-topping hits like "Love Is Alright Tonite" and "I've Done Everything For You." It also had some real stinkers like "Easy to Cry" and "Inside Sylvia"--the song with the record for the number of times anyone has sung the name "Silvia "(39).

To this day, whenever I hear "Jessie's Girl" on the radio, I sing along and think about all the girls I liked when I was a sophomore (none of which were named Silvia) and how much I hated their boyfriends (most of which were named Cory Barnes).

49. Those Damn Bed-Making Immigrants!

49. "America" by Neil Diamond

Somebody (not me) in my family owned "The Jazz Singer" album at some point in my youth. That's the only explanation I can think of for why I know some of the lyrics to so many songs from that album, including "America," "Hello Again," "Love on the Rocks," and, for some strange reason, "On the Robert E. Lee." Of course, the first three I could have learned off the radio because they got plenty of air time. But not "On the Robert E. Lee." So even though I don't have an explicit memory of listening to that album at home in Arimo, I had to have listened to at least parts of it dozens of times, and that means somebody owned it. And the truth be told, I probably listened to "On the Robert E. Lee" as much as I did because I liked the General Lee on the Dukes of Hazzard. (That sign up ahead says "Dip." Let's jump over something big in the road! Yeeeee-hah!)

The one memory that I do have of "America" is actually from Sweden. I was biking down a forest path, as one does in Sweden, when I just started thinking about how good it would feel to go back home to America. So I started kind of singing the song under my breath as I peddled, and I thought about how proud and lucky I was to be an American citizen. I even got a bit of a chill down my spine singing the lines, "Home, don't it seem so far away, but we're traveling light today, in the eye of the storm, in the eye of the storm."

The song can still give me chills today, especially the beginning part when the bass and drums come in and the audience starts to cheer at the sight of Neil's sparkly scarf.



Hey! Isn't that Lucy Ball's daughter?!" As a kid, I always thought she was cuter and funnier than Marie Osmond. But then again, I loved Lucy.

The other memory I have of this song is hearing it played over the radio while watching the Pocatello July 4th fireworks at Julie's parents house. Yes, this song is severely overplayed at July 4th celebrations. But I'll take it over Lee Greenwood's flag-waving patriotic pandering any day (especially on July 4th). Diamond's song somehow avoids that pandering element, I think mostly because he's not singing to Americans about how they're so awesome because they're Americans. He's singing about immigrants sacrificing so much to become Americans and experience liberty not available to them in their home country, which is a much more powerful idea. And this is how you really know it's not the same kind of song as Greenwood's "God Bless the USA." Imagine that Donald Trump finally gets his way and builds a gargantuan wall along the Mexican border. Now imagine what songs they're going to play at the rally where he dedicates the wall to himself. Greenwood's song is definitely on the I'm-the most-patriotic-person-you'll-ever-meet playlist. But Diamond's song would never ever be chosen to be blasted into the audience and over the wall, inviting everyone on the other side to come into the country and become citizens "TODAY!"

Oh, well. Regardless of who sits in the White House, I do at heart believe that America is and always will be the sweet land of Liberty...and of sparkly scarves.

50. I'm Radioactive!

50. "Back in the U.S.S.R." by the Beatles

In my youth, the Soviet Union was filled with the worst bad guys. Yes, everyone still hated Nazi's--especially Steven Spielberg--but they had been defeated in World War II by Hogan's Heroes, so the big living, breathing enemy was anyone with a Russian-sounding name. Yet because I had been raised on the Beatles' White Album, I believed that maybe there was something good to be found in the Soviet Union, namely, beautiful and sexy women. This belief was reinforced by every James Bond film I ever saw, as well as the Pink Panther Strikes Again.


My interest in Russian women went so far as to get me to study the Russian language and culture for about two months during my freshman year of college. It wasn't a class for credit, so I didn't learn much other than how to say Yes (Da) and No (Nyet)--two words that I think would have served me well if I had actually gone to Russia at any point in my life, but it was not to be.

The closest I got to Mother Russia was on my mission in Sweden, where I met a Russian businessman that asked me to explain the rules of American football to him, which was kind of difficult because we didn't learn how to say "linebacker" in the MTC. I liked the guy, so my opinion of Russians became really positive.

I also ended up getting a part of Russia embedded in my flesh for life when Chernobyl exploded and the winds blew all the leftovers into Sweden. I didn't like being bombarded with radiation, and my opinion of the Russians sank to the lowest it had ever been.

But my opinion of Russian people--not their leaders--was forever shifted into the positive range when Billy Joel went on tour there. Them liking Billy so much made me think I had waaaaaaaaaaay more in common with the Russian people than I'd like to admit. And because I had grown up singing "Back in the U.S.S.R" at home, I knew all the words when I saw Billy sing it in concert in Leningrad. He ended up writing another song about how he made friends with some Russian clown (that's his vocation, I'm not using the word "clown" in a derogatory sense just then). But Billy's song "Leningrad" didn't shift my feelings towards the Russians any more than it already was. Watching him sing "Back in the U.S.S.R." was all I needed.

 

Now, if that performance doesn't make your balalaikas ring, then you are a clown (and I mean that in the most derogatory sense possible).

51. Do Not Stare Directly Into It

51. "She Blinded Me With Science" by Thomas Dolby

If you love the sweet, sweet sounds of early 80s synthesizers in stereo, this is your song. It's got it all. Bleeps and blorps and tonks and schonks and plinks and plonks and wavy-woozies and hiccups and grunty grindy English accents. And it's quite trippy to listen to it in stereo while laying in bed with the speakers positioned so that your head is right smack dab in the middle of it all. You feel completely engulfed in a sonic recreation of a mad scientist's laboratory, complete with a beautiful Japanese assistant.

Good heavens, Miss Sakamoto! You're beautiful!

Thomas Dolby - She Blinded Me With Science from Mad Hatter on Vimeo.

This is, of course, one of the nerdiest songs ever written. How nerdy? It was the theme song for the original pilot for "The Big Bang Theory," but that episode was never shown, and they went with a theme song by the Bare Naked Ladies instead. (And only a nerd would know that.) There is only one thing that could make this song nerdier--being sung/talked by THE SHAT!

52. My Head Feels Like a Football

52. "Wasn't That a Party" by The Irish Rovers

Arguably the greatest song every written to include someone wearing a grapefruit for a hat and a hockey-talkin' kitty. But that's not why it's on my list. It takes the honored place of #52 (my football jersey number) because it triggers one of my favorite memories of Chris.

For reasons that will forever remain unknown, when Chris and I asked to be driver's ed buddies and do all of our driving together, Gary Yearsley said "Okay." He then said he normally didn't do early-morning driving, but for us two he'd make an exception. Neither of us was crazy about getting up early. We were even less crazy about having to face the Little Short Fat Man before breakfast. But there are few sacrifices teenage boys are not willing to make to get a driver's license, so we said thank you and walked away grateful that we hadn't been paired up for driving with some nincompoop from McCammon.

Since driving around Arimo did little to challenge our considerable driving skills (we'd both been driving farm trucks since we were nine or ten), Little Short Fat Man decided to test our abilities in the big city of Pocatello. Now I had been born in Pocatello and lived there for the first three years of my life, so I steered us toward my old home on Cahoon street--a favorite destination of the Olson family anytime we made a supply run to the Gate City. More importantly, just down the road from Cahoon street was the Hot Spot--one of the premier gas stations in all of Bannock County. It's premierness was based less on the quality of its gas and more on the quantity of its donuts. Chris and I convinced Yearsley to stop at the Hot Spot by promising to buy him a donut. He is not called Little Short Fat Man for nothing, so he negotiated for a second donut before giving us permission to pull into the gas station. I don't remember exactly what kind of donuts we got for Yearsely, but I know for sure that mine were filled with either jelly or custard. Upon returning to the car with our donuts, we began to drive back into Arimo before school started. Because Yearsley had become so contented by the free donuts, he allowed us to turn on the radio, and at some point before we got onto the freeway, "Wasn't That A Party" began to play. Normally, such a song would be heard only on the Dr. Demento show. But "Wasn't That a Party" had become a big enough hit to be played on popular FM radio. Yearsley hadn't heard the song before, and he cracked up at the line, "That little-bitty track meet down on Main Street was just to see if the cops could run."

What joy filled my heart that day! Because of my innate rebellious nature, I derived great pleasure from the experience of driving while eating a jelly and singing along with Chris about drunk driving in a PO-lice car in front of my driver's ed instructor. It just didn't get any better than that! The only thing that could have made that moment any more pleasurable to my teenage brain would have been to see the Solid Gold dancers do a scantily-clad routine to the song. But I can't have everything.

Or can I?



https://youtu.be/BxwloEfCbtQ

53. ...2...3...4...COME ON!

53. "We're Ready" by Boston

Third Stage is the album that I associate the most with my engagement with Julie. I think our engagement started about two weeks after I met her, but she's probably got a different opinion about that. I hated having to wait four months to get married. I wanted to get married and get on with our lives! And out of all the Boston songs on Third Stage, this song is the one that sums up the impatience I felt during those long summer months waiting for the wedding day--Why are we waiting so long to get married?! We're ready!

Now it's been thirty years since that album was playing nearly non-stop in my black step-side Chevy pickup. And to mark the occasion, I decided to learn to record myself singing all of the parts while playing both rhythm guitar and lead guitar. (But not the drums.) I know that I'm not as young as I used to be, so my voice isn't as high as I wish it was to hit all those super-high notes. And I know that I'm not as thin as I was before, so I really have to stretch to get my arms around the guitar. But I think my performance still manages to recapture all the inpatient romance of our summer of 1988 engagement.